Sabino Méndez cambio: Antes y después

1. La época de Los Trogloditas
2. Los Trogloditas wear
3. La literatura y el retorno al studio
4. Madurez and new projects

Sabino Méndez is a figure associated with the trajectory of Spanish rock, mainly known for his role as lyricist and guitarist in the famous rock group Los Trogloditas, junto a Loquillo. Undoubtedly, his life faced important changes in both personal and work spheres, which shaped his personality, literary and musical creativity.

La época de Los Trogloditas

During the decade of the 80s, Sabino Méndez was a key actor in the rise of Madrileña Movida and urban rock in Spain. This is era la de un joven rebelde, which seems to be a rude and unruly stance against disobedience. That's when Loquillo and I formed Los Trogloditas, a group that became an icon in the Spanish music scene. Méndez soon emerged as the group's vocalist, creating songs that quickly became anthems such as “Cadillac solitario”, “Rock and Roll Star” and “El ritmo del garaje”.

Sabino's presence at the time reflected the power of his music. Con el ambiente distendido que distinguía a Los Trogloditas, bir una rutina de conciertos, grabaciones y extensas noches, una una una una conciones and extensas noches, un aquel tied to the music of tiempo. This lifestyle, characterized by its wild and nocturnal nature, pushed Mendez to the extremes of the rock scene, which would become one of the factors that would transform his life years later.

Los Trogloditas wear

In accordance with the progress, internal tensions occur. Mendes decided to leave Los Trogloditas in 1989 because of personal and artistic incompatibilities, as well as severe physical and emotional exhaustion. This election signaled the beginning of a transformation that would affect not only his musical career, but also his personal life. His departure from the group symbolized not only a break from his rebellious past, but also an urgency to discover a new purpose and a more stable and less harmful rhythm of life.

The stress of fame and the nightlife began to affect him. For him, rock music was an outlet and a means of expression, but at that moment it became a burden that he could not bear. Leaving the group gave him the time he needed to change his interests and reassess his identity outside of Los Trogloditas.

La literatura y el retorno al studio

Rejecting Los Trogloditas, Sabino Mendez devoted himself to literature and education. Writing became a new passion and he found a quieter way to explore his creativity through his books. Corre, rocker, Hotel Tierra y Literatura Universal, his contacts, stories and tales about his personal life, universo del rock y la existencia desde la madurez. This change of direction allowed him to express his experiences and thoughts, moving away from the stereotypes that labeled him as a “rocker rebel”.

One of the most prominent aspects of his change is the introspective and reflexive perspective he exhibits in his writings. In fact, instead insurgir contra el mundo externo, indaga en su propio mundo interno. Literature gives him an opportunity to express his fears, contradictions and personal development in a way that he could never do in his songs.

Madurez and new projects

Over time, Sabino Méndez drastically changed his lifestyle. His modern presentation is more introspective and a quiet person with a personality far removed from the noise of rock scenes. This change was also reflected in his public presence, where he took a more moderate stance but maintained a sharp perspective on life and culture.

Sabino continues to be an icon of Spanish culture not only through his musical legacy, but also through his work in literature and thought. His trajectory is a reminder that it can be reinvented and that transformation, while complex, is an essential component of personal growth. Desde su época en Los Trogloditas hasta su trajetario literaria y su vida presente, Sabino Méndez ha evdenidado que la transformationa no implicada abandonar lo que se fue, sino aprender de ello y discover nuevas maneras de expresarse.